Clifford Possum Tjapaltjarri Anmatyerr people about 1932-2002 Born in a creek bed on Napperby cattle station, Clifford Possum worked from late boyhood as a stockman. See our exhibitions His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. Research 10 Clifford Possum Tjapaltjarri prices and auction results in Art. He is one aboriginal Australia's best known artists. Born in a creek bed on Napperby cattle station, Clifford Possum worked from late boyhood as a stockman. Go to Artist page. Clifford Possum Tjapaltjarri AO (1932 21 June 2002) was an Australian painter, considered to be one of the most collected and renowned Australian Aboriginal artists. [12] Artist and curator Brenda L Croft agreed, considering it "an epic painting, encyclopaedic in both content and ambition" and "the artist's most significant work". Find out more about Clifford Possum Tjapaltjarri at the Aboriginal Art Directory Prodigy at Eighty - The Miracle of Emily Posted by Frannie Hopkirk | 2014-03-05 18:19:07 Emily Kame Kngwarreye. The artist, who provided ongoing financial assistance to his extended family and close relatives, rarely saw the increasingly large sums of money that art dealers and gallery owners made from his work. His paintings show superlative skill, incredible inventiveness of form and are visually spectacular.Clifford's work is contemporary but essentially Aboriginal in inspiration. Photo: Professor JVS Megaw, https://en.wikipedia.org/wiki/Clifford_Possum_Tjapaltjarri. It exemplifies a distinctive painting style developed by Papunya Tula artists in the 1970s, and blends representation of landscape with ceremonial iconography. Clifford possum tjapaltjarri warlugulong 2007 Background Contemporary Indigenous Australian art originated with the Indigenous men of Papunya, located around 240 kilometres (150 mi) northwest of Alice Springs in Australia's Western Desert, who began painting in 1971. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Clifford Possum Tjapaltjarri AO (c. 1932-2002) was a founding member of the artists cooperative established at Papunya in the early 1970s and one of the most renowned practitioners within the Western Desert art movement. Posthumously, Tjapaltjarri's works are drawing increasing attention. He was of the Peltharr skin. Possum was one of the first Aboriginal artists to use acrylic paint for what is now known as the dot art style. [4] The youngest was Clifford Possum Tjapaltjarri, encouraged by his older brother Tim Leura Tjapaltjarri. Contact with Albrecht had an ongoing impact on Possum and his family. These included a number of paintings depicting Warlugulong, the Bushfire Dreaming story relating to his mother's birthplace. Like many other Anmatyerr people, his family moved to the east region of their country following the Coniston Massacre of the mid-1920s. Clifford Possum Tjapaltjarri AO (1932 21 June 2002) was an Australian painter, considered to be one of the most collected and renowned Australian Aboriginal artists. Its striking central fireburst depicts the Fire Dreaming site where Clifford Possum Tjapaltjarris mother, Long Rose Nangala, was born. There was legal controversy surrounding his burial, as his surviving family and community maintained he wished to be buried in a location different from that specified in his will. He began carving in his late teens and had a reputation as a craftsman before the Papunya painting movement began. [18] Described as "epic"[19] and "sprawling",[20] Genocchio said of it that is "a work of real national significance [and] one of the most important 20th-century Australian paintings". Throughout the late 1980s and 1990s his paintings featured in numerous group shows and his works were acquired for collections in Australia and overseas. While his year of birth is considered to be approximately correct, the day and month remain undocumented. Clifford Possum Tjapaltjarri was born c. 1932 to Tjatjiti Tjungurrayai and Long Rose Nangala in Tjuirri, an area north-west of Alice Springs also known as Napperby Station. That Dreaming carry on. Images may not be reproduced for any reason without express permission from the artist. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country. . Geoffrey Bardon came to Papunya in the early 1970s and encouraged the Aboriginal people to put their dreaming stories on canvas, stories which had previously been depicted ephemerally on the ground. Carpet Snake Dreaming. Cattle rustler, rum runner, brilliant painter, By continuing to browse Obelisk you agree to our Cookie Policy. Sep 12, 2021 - Clifford Possum Tjapaltjarri was the first recognized star of the Western Desert art movement. The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians. from Lawsons on February 4, 0123 12:00 PM AEDT. His father was born at Ngarlu, a location west of Mt. (English) 1 reference. (Art Gallery of New South Wales, 2004). In 2002 Clifford Possum Tjapaltjarri was appointed an Officer of the Order of Australia for service as a contributor to and pioneer of the development of the Western Desert art movement, and to the Indigenous community through interpretation of ancient traditions and cultural values., Vivien Johnson in 'Tradition today: Indigenous art in Australia, Art Gallery of New South Wales, Sydney, 2014, Open daily There was legal controversy surrounding his burial, as his surviving family and community maintained he wished to be buried in a location different from that specified in his will. Clifford Possum Tjapaltjarri is survived by his two daughters, Gabrielle and Michelle, and son Lionel. (270 x 128 cm.) Clifford Possum Tjapaltjarri Clifford Tilmouth Colin Bird Colleen Wallace Nungari Connie Nakamarra Fisher Corinne Nampijinpa Ryan Cornelius Jungarrayi Spencer Cowboy Louie Pwerle D Dadu Gorey Nungarrayi Danny Japaljarri France David Angus Jungala Deborah Napaljarri Wayne Debra Nangala McDonald Debra Young Nakamarra Delores Furber Napaltjarri NOTICE: Watch David Norths remarks commemorating 25 years of the World Socialist Web Site and donate today. Showing Editorial results for clifford possum tjapaltjarri. Same all the ladies, they been get all the bush fruit, might be bush onion, plum, might be honey ants, might be yala, all the kungkas (women) bring them back. Intimate knowledge of the land had been passed down through generations of indigenous Australians through ephemeral sand drawings, but Tjapaltjarris transfer of these traditional maps to canvas with the paths and stories they contain can be read as deeds of title, reclaiming ownership of ancestral land. Tjapaltjarri had been a part of the Papunya art community for four years and was one of their most successful and respected artists, but it was his previous career as a stockman working on central Australias pastoral stations, or ranches, that made him uniquely qualified for the project. Carved snake (view from behind), 1973, Clifford Possum Tjapaltjarri, pigment on wood, 71 x 40 x 15 cm. Through his remarkable paintings, Clifford Possums unique images and stories will endure. Papunya Tula Artists Ltd. was formed in 1972. His paintings are held in galleries and collections in Australia and elsewhere, including the Art Gallery of New South Wales, the Na [9], This work excludes elements of several dreamings associated with country further south, which had been included in the painting created by Clifford Possum and his brother a year earlier. Tjapaltjarri was made an Officer of the Order of Australia in 2002. Like Albert Namatjira before him, Clifford Possum blazed a trail for future generations of Indigenous artists; bridging the gap between Aboriginal art and contemporary Australian art. ABN 70 592 297 967|The National Museum of Australia is an Australian Government Agency, Utopia: The Genius of Emily Kame Kngwarreye, Old Masters: Australia's Great Bark Artists, Australia's Defining Moments Digital Classroom. All the young fella they bring 'em back kangaroo. Check out news and media, U.S. Department of State Deborah Hart, Head Curator, Australia Art, leads a conversation with Australian artists Fiona Hall and Judy Watson (Waanyi people). This was followed two years later by another London exhibition, which was favourably reviewed in the prestigious Artline magazine. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. No two ways about it: on the Clifford Possum Tjapaltjarri retrospective January 2005 Authors: Andrew Mcnamara Queensland University of Technology Abstract Content uploaded by Andrew Mcnamara. One of the extraordinary qualities of Clifford's work and other Western Desert artists is that they are a visual writing and speak to the Aboriginal as books do to Europeans.When asked why he became an Artist, he answered,"That Dreaming been all the time. He was selected by the Possum family to be a pall bearer at Clifford's funeral, a great honour he very much valued." Mr Knight featured in the media many times over the years - from when he bred an unusual foal that was shot from the Hume Freeway to winning a bet to ride a donkey over the Princess Bridge in the Melbourne. https://www.state.gov. Clifford Possum emerged as one of the leaders in this school of painting, which has come to be called the Western Desert Art Movement. [17] The artist also modified some of the iconography, and limited the explanations of the painting, omitting secret-sacred dimensions of the stories to avoid offending other Indigenous men, and in recognition that most of the audience for the work would be uninitiated non-Indigenous people. In June he received the Order of Australia for his pioneering work in the development of the Western Desert Art movement, and was to be officially invested with the award on the day he died. His final days were spent at the Hetty Perkins Nursing Home in Alice Springs, where he passed away surrounded by close family and friends. Phone:(02) 9555 5283 World:+612 9555 5283680 Darling St. Rozelle NSW 2039 Australia. Find an AIE artist When it held an exhibition of his work in 2004, the Art Gallery of New South Wales described his artistic background: Clifford Possum Tjapaltjarri died in Alice Springs on the day he was scheduled to be invested with the Order of Australia for his contributions to art and to the Indigenous community. [3] The authors of the National Gallery of Australia's book, Collection Highlights, characterises the painting as the artist's most significant. [4] He was buried at Yuelamu, which had been the preference of his community and daughters, several weeks after his death.[5]. [17], Johnson's analysis of the painting emphasises the relationship between the representation of geographical sites in the Yuendumu region and the dreaming stories associated with those sites. After his father's death in the 1940s his mother married Gwoya Jungarai, better known as One Pound Jimmy, whose image was used on a well known Australian postage stamp. Join the conversation in our Discord, and if you enjoy content like this, consider becoming a member for exclusive essays, downloadables, and discounts in the Obelisk Store. [23] The bank sold it by auction in 1996. Possum Tjapaltjarri contributed to the Indigenous Australian Art movement and died on June 21, 2002. In 1928 police shot and killed nearly 100 Aborigines at the infamous Coniston massacre. Allan, and his mother from Warlugulong, an area southwest of Yuendumu. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. [8] The two images are amongst five that the artist created between 1976 and 1979 that linked the iconography of sacred stories to geographic representation of his country the land to which he belonged and about which he had traditional knowledge. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. He began carving during the same period and had established a reputation as a craftsman before becoming one of the first men to take up painting at Papunya, a settlement established 240 kilometres north-west of Alice Springs in the 1960s. Clifford Possum Tjapaltjarri (1932-2002) Collections: Artbank Sydney, Art Gallery of New South Wale Read More. Possum's father was Tjatjiti Tjungurrayai and his mother was Long Rose Nangala. His work lives on through his daughters Gabriella Possum Nungurayyi and Michelle Possum Nungurayyi, successful artists in their own right, who continue to evolve and expand contemporary Australian indigenous art in layered maps of the Dreaming. The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country. Some features and content of this website may not work as intended. When Clifford Possum Tjapaltjarri joined this group of 'dot and circle' painters early in 1972 he immediately distinguished himself as one of its most talented members[2] and went on to create some of the largest and most complex paintings ever produced. Tjapaltjarri was 44, and one of the founders of a flourishing art community in the small aboriginal village of Papunya. You have Javascript disabled. Clifford Possum Tjapaltjarri (American, 1932-2002)Dingo Dreaming Oil on canvas 50-1/2 x 28 inches(128.3 x 71.1 cm) Signed on the reverse: Clifford Poss.. 61: CLIFFORD POSSUM TJAPALTJARRI (c. 1932 - 2002) "Worm Dreaming Napperby" Est: AUD 2,000 - AUD 4,000 View sold prices Jan. 04, 2023 Ozbid Auctions LEICHHARDT, NSW, AU A co-founder of the audacious Papunya Tula style and the first Aboriginal painter to be critically acclaimed by art patrons in Europe and North America, Clifford Possums life bore all the scars of poverty and racist oppression confronting Aborigines in central Australia in the 20th century. 202-647-4000 | TTY:1-800-877-8339 (FRS) Conditions were so bad during these years that Possums father perished from lack of water. After learning how to muster and brand cattle, he became a stockman at Hamilton Downs and then head stockman at Narwietooma station. List of all 145 artworks by Clifford Possum Tjapaltjarri. This is a pure example of how . Animal representations include tracks of a cluster of emus from a place called Napperby, on the artist's country, as well as those left by the rock wallaby, or Mala, men journeying north from Port Augusta in South Australia, as well as, on the left hand edge of the picture, those of two groups of dingoes going to a place called Warrabri. Similar to many Aboriginal artists of this time, he began his working career as a stockman on various cattle stations established on his ancestral country and later was employed in the construction of the Papunya settlement. [5] A number of the men developed a distinctive style of narrative painting that, beginning around 1976, resulted in the production of several "monumental" works that included representations of both their traditional lands and of ceremonial iconography. What is now referred to as the Papunya movement began in 1971, when the men started transferring their designs from the body and the ground onto panels of masonite and other moveable surfaces. Clifford Possum Tjapaltjarri AO (1932 - 21 June 2002) was an Australian painter, considered one of the most collected and renowned Australian Aboriginal artists. She concludes that there is "a topographic rationale for the order in which the Dreamings appear from left to right (that is, east to west) across the painting [as well as for] the transverse Dreaming trails". Police claimed that the Aborigines had killed a local dingo hunter. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. It makes accessible the development of a master painter of the Anmatyerre tribe, one . Painting, synthetic polymer paint on canvas, 202.0 h x 337.5 w cm. 1-20 out of 145 LOAD MORE. Tjapaltjarri was chairperson of Papunya Tula Artists during the early 1980s. Tjapaltjarri, Clifford Possum (c. 1932-2002) Art Gallery of South Australia, Adelaide, Australia/ Bridgeman Berlin. Pastor F.W. Clifford Possum emerged as an artist during the time Geoffrey Bardon came to Papunya and encouraged the people to place their artworks on canvas instead of the ground. Clifford Possum Tjapaltjarri, AO (c.1937 - 2002) Australia's Most Celebrated Aboriginal Artist. His paintings are held in galleries and collections in Australia and elsewhere, including the Art Gallery of New South Wales, the National Gallery of Australia, the Kelton Foundation and the Royal Collection. Chicago, Los Angeles and St Louis 1988, 'Clifford Possum Tjapaltjarri Paintings 1973-1986', retrospective exhibition at the Institute of Contemporary Arts, London; 1990 'l'ete . Geoffrey Bardon came to Papunya in the early 1970s and encouraged the Aboriginal people to put their dreaming . The Aboriginal Memorial commemorates Aboriginal Australians who have lost their lives defending their land since the beginning of European settlement. LANGUAGE GROUP: Anmatyerre Going, going, gone: The painting sold for $2.4 million. Tjapaltjarri worked alongside many of Australias discrete indigenous cultures, mastering six Western Desert languages and absorbing a vast swath of the traditional stories of the Dreaming. Standing out among an exceptional cohort, these four selected artists deployed their inherited iconography while exploring the new poetic possibilities offered by paint on canvas. By the time he started visiting Papunya in the mid-1960s he had a well-established reputation as a woodcarver, based on his talent for capturing lifelike effects of motion. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. Mr Clifford POSSUM Tjapaltjarri. In the 1940's, Clifford and his family re-located to Jay Creek, where he became a stockman, working at several stations throughout the area. Collections include the National Gallery of Australia in Canberra and the New South Wales Art Gallery in Sydney. [13] Clifford Possum would often collaborate with other artists, particularly his brother Tim Leura, and the brothers together created the 1976 work of the same name. #aboriginal art #australian painting #aboriginal art #aboriginal painting #papunya #western desert #painting #australian art #indigenous australian art #art aborigne #Kunst der . COMMUNITY: Alice Springs, NT, Clifford Possum Tjapaltjarri was born in Tjuirri, an area north west of Alice Springs also known as Napperby Station. Video excerpt from the ABC documentary 'The Exhibitionists' on Australian female artist Janet Cumbrae Stewart. Often these techniques would be carefully interwoven into an integrated composition, overlaid with more dots to producing an illusion of changing spatial depth. Born at Napperby Station, north-west of Alice Springs, he is the youngest son of One Pound Jimmy Tjungurrayi and Long Rose Nangala [both deceased]. DOB: Copyright for artwork images on this website belongs to the artists or their estates. His determination to express and pass on his ancestral stories to the next generation became the means for forging his distinct artistic vision. The focal point of that show was Napperby Death Spirit Dreaming (1980), a large collaborative painting by Possum and Leura. Video excerpt from the ABC documentary 'The Exhibitionists' on Utopia artist Emily Kame Kngwarreye. His career as an artist began in the 1950's when he carved snakes and goannas. Possum Tjapaltjarri contributed to the Indigenous Australian Art movement and died on June 21, 2002. Forty years ago, Kaapa Tjampitjinpa, Tim Leura, Clifford Possum and Johnny Warangula were central to the constitution of contemporary desert art at Papunya. Hailed as the master and pioneer of Central Western Dot painting, Clifford merged the traditional with the contemporary creating artworks which moved beyond their canvas speaking to all who gaze upon them. Grandfather and grandmother, uncle and aunty, mummy and father, all that, they been carry on this, teach 'em all the young boys and girls. In 1976 a BBC documentary crew traveled deep into Australias Northern Territory to watch Clifford Possum Tjapaltjarri and his brother Tim Leura paint a masterpiece. The full text of the article is here , en.wikipedia.org/wiki/Clifford_Possum_Tjapaltjarri, Clifford Possum Tjapaltjarri. 1990 Rebecca Hossack Art Gallery Price on request Clifford Possum Tjapaltjarri Women's Dreaming, c1990 Red Desert Dreamings US$49,500-US$61,875 Clifford Possum Tjapaltjarri Worm Dreaming Napperby, 1996 LaiSun Keane US$12,000 Clifford Possum Tjapaltjarri 202 cm 337.5 cm. Possums first contact with Europeans was through his father, who sold dingo scalps in exchange for tea and flour at the Jay Creek government ration depot. Video excerpt from the ABC documentary 'The Exhibitionists' on First Nations Australian female artist Karla Dickens, Wiradjuri people. Clifford Possum Tjapaltjarri led a ground-breaking career and was amongst the vanguard of Indigenous Australian artists to be recognised by the international art world. Born: [14][notes 2] Art critic Benjamin Genocchio has referred to the 1977 work as also being by the brothers;[13] however, the National Gallery of Australia credits it solely to Clifford Possum. From our early days, before European people came up. Other Aboriginal artists have incorporated western mediums into their work, such as Emily Kngwarreye, Rover Thomas, and Freddy Timms. The artist's works have gone up for sale at public auction 402 times, mostly in the Painting category. View our artist exchanges By the mid-1970s he was chairman of the company and had emerged as one of its most inventive artists. Despite this success and his prolific output, Possums fame did not bring great personal wealth or security. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. Clifford enjoyed a traditional bush upbringing and was given the name Possum by his paternal grandfather. Namatjira was the leading Aboriginal artist at the time, finding growing success for his realistic watercolour landscapes that captured the stark and unique beauty of central Australia. Pre-auction, the work was expected to make art history as the most expensive Aboriginal canvas at auction. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. Closed Good Friday & Christmas day An established wood-carver and a skilled painter, in the early 1970s Clifford along with his brother Time Leura Tjapaltjarri joined the painting men which soon transformed into the Papunya Tula Artists. After accepting a commission in 1985 to paint a mural for the Araluen Art Centre, Possum moved his family to Alice Springs, the first Papunya Tula artist to do so. [23] Warlugulong's buyer was the National Gallery of Australia, which purchased the work as part of its 25th Anniversary Gifts Program. 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